Lambert and His Influence on British Ballet(3)

Nuriyev (1938-1993) was admitted into Leningrad School of Ballet in 1955. He visited Paris with the Kirov Ballet in 1961 and was then selected to Royal Ballet. Some of his main works were later put on stage of other theaters by himself. For example, Don Quixote, directed by him and his assistant Porakhov, was performed by China's Central Ballet Troupe in 1958. Besides, Nuriyev served as artistic director of Paris Opera Ballet from 1985 to 1989.

Apart from Lambert Ballet and Royal Ballet, development of British Ballet since 1900s has also received considerable impact from Festival Ballet, International Ballet and many other performing groups.

Beryle Grey changed the name to London Festival Ballet when she was the head of Festival Ballet in 1968.

In 1941 Monet Inglesby, under the patronage from her father, founded International Ballet and she herself served as its chief actress. It was in Britain the first troupe that would put on specialized performances in cinemas and ice stadiums.

Anlin Dolin, among the male ballet dancers in 1900s, was one of those enjoying the utmost reputation around the world.

In the 19th century of Britain, Ashton and MacMillan were ballet directors that deserved the strongest attention.

Fredrec Aston served as a player and director in Rubenstein Ballet, Lambert Ballet, Schindler Wales Ballet and Royal Ballet. Besides, he was also invited to serve as visiting director in Ballet Russe de Monte Carlo, Paris Opera Ballet, London Festival Ballet, New York City Ballet, Ballet de la Scala Theater Milan and many other world famous ballets. 

Helpmann (1901-), served as the artistic director in Australian Ballet from the year 1965 to 1975.

Peter Darrell graduated from Royal Ballet School and was once a classmate of MacMillan. He served as a player in Schindler Wales Ballet for three yeas and then attended London Festival Ballet. He along with Elizabeth West founded Western Ballet in 1957, which nowadays is the Scottish Ballet.