ballet pointe shoes The question comes up, ¡° When can my child go on pointe?¡± Sometimes difficult to answer.
¡°Is there a child beginner pointe shoe?¡± Is there such a shoe? Yes and No.
There are toe shoe manufacturers that do not make pointe shoes for children
under a certain shoe size. Then there are some who do. The ballet teacher who
knows her student will say when she should go on pointe.
These questions are asked by parents who do not know much about ballet, the training
that goes into ballet, how many classes should the child take per week, when should
she go on pointe. ballet pointe shoes
Take this into consideration. When the child starts ballet at age 7 or 8 by the time she
is 11 or 12 year old, she would have had about 480 ballet classes during a 4 year period.
This is based on 48 weeks per year, if this were at all possible. If by chance she is sick, holidays, vacation time, unforeseen circumstances crop up, she will have missed more
classes during that time. All classes missed are very hard to make up and catch up, with other students in the classroom, especially since it involves physical strength and a very good ¡°body-movement-memory¡±. ballet pointe shoes
While she is growing in stature, hopefully not putting on too much weight before reaching age 11 or 12, she MAY be starting pointe work in her ballet school.
(You will find interesting information on nutrition for ballet dancers at
www.ballet-feetfirst.com/Pointeshoe-Nutrition.html )
I say she MAY be starting on pointe only when her ballet teacher evaluates the progress of her training. Her ballet teacher will decide when she is to go on pointe and not before 4 years of good , consistent ballet training.
Ballet teachers have their own guidelines of which some can be given here; the child¡¯s
physical strength, her height, body weight and the strength of her feet, toes, arch. Oh yes,
the desire to dance and become a ballerina. ballet pointe shoes
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NICHOLAS POLAJENKO A native of New York City, Nicholas Polajenko was trained by the famed Russian teachers Anatole Vilzak & Ludmilla Schollar. Soon recognized as dancer of exceptional technique and acting versatility, he rapidly rose to the rank of Principal Dancer with such companies as the Metropolitan Ballet, Ballet des Champs Elysees, Ballet Roland Petit, London¡¯s Festival Ballet and the International Ballet Marquis de Ceuvas. Before going to Paris France in December 1948 he was in two Broadway Musicals. Music In My Heart and Annie Get Your Gun. |